Sofá Baker

Inspired by Finn Juhl

€15.590 €1.559

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Baker Sofa
The Product The Specs
  • Estilo similar al del elegante Sofá Poet
  • Diseño típico de los años 50
  • El cabecero separado consigue un efecto llamativo

VOGA.com presenta esta versión del Sofá Baker de 1951. Con las mismas dimensiones que el diseño original, esta pieza le dará un toque atrevido y alegre a cualquier interior. Su inconfundible silueta, sus originales curvas y llamativos colores llenarán de vida la estancia, mientras que el tapizado y altura baja del sofá le convierten en la pieza perfecta para acurrucarse a descansar tras un duro día de trabajo. Sin duda, un clásico del diseño de interior.

Conoce la historia del Sofá Baker de Finn Juhl

Concebido en 1951 en Michigan, el Sofá Baker es un claro ejemplo de cómo el talento artístico del autor influyó en sus diseños. Compuesto por dos secciones acolchadas sujetas por una resistente estructura de madera, el diseñador jugó con la silueta clásica de los sofás pero añadiéndole un sorprendente cabecero con forma curva. Gracias a sus vivos colores, la pieza ha llenado de vida los hogares de todo el mundo desde su creación en los años 50 y continúa haciendolo a día de hoy.

  • Width: 195 cm
  • Height: 98 cm
  • Depth: 80 cm
  • Packaging: 201cm x 93cm x 107cm
  • Packaging weight: 58 kg
  • Seat Height: 46 cm
  • Boxes: 1
Finn Juhl

About The Designer:

Finn Juhl

Baker Sofa
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1912-1989 (Denmark)

Finn Juhl was the first Danish furniture designer to receive international recognition. He studied architecture with a Danish architect, Vilhelm Lauritzen and graduated from the Royal Academy in Copenhagen. As a furniture designer he was self-taught, something that he always emphasized. Juhl designed his first piece of furniture in the late 1930s. Mainly pieces for himself but after setting up his own office in 1945 he soon became known for creating unusual, expressive and sculptural pieces of furniture. He had a collaboration with master cabinet maker Niels Vodder and managed to cause a stir with designs obviously inspired by modern, abstract art. Compared to his contemporaries, Juhl put more energy into the form and less on function, which presented a break in traditional design.

"One cannot create happiness with beautiful objects, but one can spoil quite a lot of happiness with bad ones."

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